Born in Seoul in 1995, I explore the relationships between bodies, space, and perception through line, color, and materiality. My practice is rooted in drawing, extended through paper, fabric, and installation to give the experience of traces spatial and material dimension. Currently a Meisterschüler at Kunsthochschule Mainz, I work through gesture rather than a predetermined image: the movement of the hand leads the form. In this process, traces emerge between perception and sensation, making visible fleeting states of closeness, distance, and presence.

The materials I use are not merely tools of representation—they carry their own traces of touch and use. As different media connect and overlap, the resulting works make the subtle relationships between bodies and their surroundings perceptible.

Drawing becomes a place where body, material, and space meet. Within the traces left behind, a space emerges that invites one's own perception—without instruction, without predetermined meaning. This inquiry continues in a new series that combines drawing and textile, exploring how we withdraw from reality while simultaneously encountering it.